Mordant Alchemy in Eco Printing: Alum, Iron, and Artistic Expression
Mordants serve as substances that aid in fixing natural dyes to fibers, elevating colorfastness and preventing fading over time.
Learn from home at your own pace with no time limit
Get colorful prints on wool and silk using only home-made iron water: a simple and sustainable approach that includes a game-changing and systematic technique of the famous iron blanket.
In this course I will teach you how to print on wool and silk, preparing your fabrics with only diluted iron water and still getting colorful and beautiful results. Focusing on sustainability, I will explain to you how to create your home-made iron water using no chemicals , how to maintain it and use it in your work. You will get two beautifully printed fabrics with a different style of print from the same bundle. You will learn how botanics behave on the fabrics with this method and also get spectacular colors from eucalyptus. I will also teach you how to create a colorful background.
Botanical prints on silk and cellulose fabrics – printing all kinds of plants and getting a wide palette of colors
My flagship course: the best gateway to the world of Eco printing. Regardless of your previous experience, you will reach a mastership level. You will learn how to print on cellulose and silk using different concentrations of mordants. I will show you different bundling techniques and you will get wonderful prints on the natural fabric or creating colorful backgrounds. You will learn to analyze the botanics to get great prints from all plants, even if they lack the ability to print beautifully.
USD 448.0
A technique especially designed for printing tannin – rich plants and eucalyptus on cellulose fabrics
In this course we will deal with an Eco printing technique which yields monochromatic results. We will learn how to print different parts (leaves, barks, buds, etc) of a variety of eucalyptus and other tannin rich leaves. We will learn how to prepare the fabrics to get this monochromatic look, how to work with tannins and different folding methods. This technique explores the beauty of imperfection, the modesty and the rustic calmness of Nature.
Get colorful prints on wool and silk using only home-made iron water: a simple and sustainable approach that includes a game-changing and systematic technique of the famous iron blanket.
In this course I will teach you how to print on wool and silk, preparing your fabrics with only diluted iron water and still getting colorful and beautiful results. Focusing on sustainability, I will explain to you how to create your home-made iron water using no chemicals , how to maintain it and use it in your work. You will get two beautifully printed fabrics with a different style of print from the same bundle. You will learn how botanics behave on the fabrics with this method and also get spectacular colors from eucalyptus. I will also teach you how to create a colorful background.
Botanical prints on silk and cellulose fabrics – printing all kinds of plants and getting a wide palette of colors
My flagship course: the best gateway to the world of Eco printing. Regardless of your previous experience, you will reach a mastership level. You will learn how to print on cellulose and silk using different concentrations of mordants. I will show you different bundling techniques and you will get wonderful prints on the natural fabric or creating colorful backgrounds. You will learn to analyze the botanics to get great prints from all plants, even if they lack the ability to print beautifully.
USD 448.0
A technique especially designed for printing tannin – rich plants and eucalyptus on cellulose fabrics
In this course we will deal with an Eco printing technique which yields monochromatic results. We will learn how to print different parts (leaves, barks, buds, etc) of a variety of eucalyptus and other tannin rich leaves. We will learn how to prepare the fabrics to get this monochromatic look, how to work with tannins and different folding methods. This technique explores the beauty of imperfection, the modesty and the rustic calmness of Nature.
My name is Irit and I am glad you are here! For me that means you are passionate about botanical printing, just like me.
Spending time outdoors, collecting plants, bundling them, waiting impatiently to open the bundles and to see the results on a fabric, is not just an artificial or technical procedure – it is an integral part of my day-to-day life. Discovering new ways of printing Nature on fabrics is the way I express myself.
Read moreMany thanks to Idan Levy
who has been walking alongside me from my first steps in the botanical printing world.
Idan has played a significant role in documenting my work, creating the visual language to present it and creating my online courses.
Read more
Anette Giles
USAI had an amazing time in Irit’s 2019 workshop in France. I had previously taken a course on natural dyes that included eco-printing, but was never able to get the results that I wanted until this class. The method she taught was a game changer! Irit is a generous and patient teacher. Her instructions were clear and detailed, and she spent individual time with me to answer my questions. It was so exciting to use my new skills at home and get the kind of good consistent results, with clear prints that were missing before the class. I look forward to taking more of Irit’s workshops to expand my skills, and am excited for the opportunity to take an on-line course.
Jane Marie O'Leary
West AustraliaTo say that the 1 week course I did with Irit in Margaret River was life changing may sound a bit excessive, but it was. Irit is a warm, engaging, and patient teacher who is generous with the knowledge and experience she shares. Her instructions on process are clear and concise, but she then encourages you to experiment and is as excited as you when a new or unfamiliar plant gives a great result. I find myself continually looking at the foliage around me and wondering “how would that print?” Irit has opened up a whole new world for me.
Terriea Kwong
Hong Kong“Eight years ago when I encountered wool felting ideas from internet, it popped up inspiring images of Irit Dulman’s nuno felt garments with botanical printings. I was thrilled and curious to know how to make such contact prints with real plants. By chance I first attended master Irit’s workshop in Pacific Grove, US. In the following years Irit’s innovative techniques changed the field of eco printing. I was lucky to have attended a few more workshops conducted by her in Spain, Holland, Uruguay and her home country Israel. Each time of different techniques studied and invented by her. She has a wealth knowledge of botanics and very generous as well patient in teaching. Irit’s innovative technique has great influence in the field of botanical textile surface design”.
Evelina Marconi
Italy"il workshop con Irit non è solo una grande esperienza di apprendimento della sua tecnica esclusiva; è un esperienza di condivisione, di vita comunitaria, di amicizia. Per alcuni giorni siamo tutte insieme, in pochissimo tempo cresciamo esponenzialmente nella tecnica, ma allo stesso tempo abbiamo lo spazio per conoscerci,confrontarci. Durante il workshop nascono grandi amicizie che creano occasioni per altri viaggi, altri incontri, altre esperienze. Grazie Irit! Oltre ad essere una grande Maestra, sei anche una cara Amica"
Monika Lorenz
GermanyTo attend a workshop with Irit Dulman is such an enriching adventure. Irit enables everybody to disclose the secrets of leaf printing as she is generously sharing her immense knowledge about the leaves, the process involved and natural dying. She perfected her techniques over the years to the highest level and helps every participant to print the wonders of nature on fabric. This experience nobody should miss.
Jean Manrique
USAI have had the honor of learning the art and craft of eco printing from Irit Dulman. I’ve been to three of Irit’s workshops and was able to volunteer at one and I am privileged consider Irit my teacher and mentor now for many years. She astounds me how she continually explores and discovers new techniques and then shares them with her students. Her teaching methods are very clear and effective and she encourages each student to achieve their unique best. Now a full time fiber artist, I can truthfully say that Irit and her teaching have changed my life. Not everyone is able to create such original work and then able to effectively teach others. But this precisely describes Irit.
Dorie van Dijk
The NetherlandsIrit started teaching at Atelier Fiberfusing (the Netherlands) in 2013 in botanical printing. Since then she has refined her skills and build up her knowledge in botanical printing and natural dyeing. Every year she has brought new insights, techniques and methods to the workshops and masterclasses. As a teacher she likes to share her knowledge with passion, but she is also open to learn from those who follow her workshops. I know her as a person of integrity and it is my strong believe that she is the best in the field of botanical printing. Taking a class with her is an experience that you will not ever forget.
Wendy Hardman
East AustraliaI love textiles and I love colour – seeking ways to bring the two together without toxic processes of the past became an obsession that led me to Irit; her work just kept jumping out at me – best of the best. In 2017 I seized an opportunity to join Irit’s workshops in Uruguay. The learning curve was steep, Irit shares her skills and knowledge generously. The experience was so life changing I invited Irit to come and teach in Australia in 2019. Irit has distilled decades of research and practice into a series of practical exercises that build understanding and foundation skills to start the learning. My learning experience and the relationships born in Uruguay gave me the inspiration and confidence to make radical changes in my life. I am forever grateful.
Ludmila Maddalena
UruguayMi nombre es Ludmila Maddalena, soy Argentina y resido en Uruguay hace más de doce años. Soy artista textil, artesana y emprendedora. En 2015 tome mi primera formación con Irit en Uruguay y además de la formación técnica en la impresión botánica y los tintes naturales, que fueron para mi el inicio de un nuevo camino y cambiaron mi manera de mirar la naturaleza, lo que me rodea... también ese fue el primer de muchos otros talleres con Irit Dulman donde pude seguir profundizando en la técnica de la impresión botánica de su mano y su guía... imprimiendo mi huella en un emprendimiento de moda sustentable
Anne Foy
East AustraliaAfter following Irit’s work for a few years, I have been fortunate to attend workshops with her in Spain and Holland, and last year near my home in Australia. Each time I have benefited from Irit’s constant research, knowledge of plants, and ecoprinting with natural dyes. She is generous with her teaching - what sets her apart is her continuous curiosity and passion for her art.
Denise Leduc
CanadaI was very fortunate to have been able to travel to Azanza Navarra Spain in 2017 and Cape Breton Island in 2018 to attend Irit's workshops. Two wonderful experiences for me. Irit was just like I imagined when I started following her Eco Printing . She is very knowledgeable and is a great teacher. She cares about her students and wants them to succeed and accomplish their goals. She spends time with each one to make sure they understand and are happy with their results.. When I was in Cape Breton Island I had a goal to have a beautiful red printed piece of fabric to make a dress. She made sure I didn't leave without it. I admire her and the talent that she shares. I'm so happy she has decided to do online workshops So I can continue to learn with her. Irit will continue to amaze us.
Mordants serve as substances that aid in fixing natural dyes to fibers, elevating colorfastness and preventing fading over time.
Each plant carries its own distinctive qualities. Some are rich in natural dyes and gives beautiful colors like gray blue, orange-brown, greens, etc… while others contain tannins which produce black/gray/ bluish tones and others that contain acids which will present themselves in white.
The intersection of art and nature has been a boundless source of inspiration for artists throughout history. Even today, this timeless concept thrives as artists embrace innovative ways to blend their craft with the wonders of nature.
If you are interested in eco print, I’m pretty sure you´ve heard the term “blanket”. Blankets are used in eco printing for two reasons but let me explain before how a bundle is made so as to understand where a “blanket” is placed.
Tannins are a type of organic compound that are found in various plants, particularly in tree bark, leaves, fruits, and seeds. They are known for their astringent properties.
The intersection of art and nature has been a boundless source of inspiration for artists throughout history. Even today, this timeless concept thrives as artists embrace innovative ways to blend their craft with the wonders of nature.
The intersection of art and nature has been a boundless source of inspiration for artists throughout history. Even today, this timeless concept thrives as artists embrace innovative ways to blend their craft with the wonders of nature.
The intersection of art and nature has been a boundless source of inspiration for artists throughout history. Even today, this timeless concept thrives as artists embrace innovative ways to blend their craft with the wonders of nature.
My name is Maya Chaimovich, from Israel.
I have been creating Art Quilt for more than twenty years. My works are made mainly from recycled fabrics, from clothing items. In my works, I use all types of fabrics, with very bright, shiny and strong colors. My Art Quilt works are displayed in group exhibitions as well as solo exhibitions in many countries.
Hello, my name is Susan Latty and I live in Sydney, Australia on Gadigal Land. All my life I have created in some way, mostly with a botanical theme. My creative work is an integral part of my life, encouraging me to live more mindfully and joyfully. The process is meditative.
This is me and these are my hills and woods!
My name is Elizabeth Tagliavini and I live in a small town at the foot of the hills in the province of Reggio Emilia (in northern Italy).
My name is Norton Fredericks, I am a queer sustainable fibre artist with Indigenous Australian heritage living and working on Kombumerri Country, Gold Coast.
I´m Annette Giles, from Maryland USA. Here’s a photo of me and my Japanese maple tree, which gives me an endless supply of leaves.
I´m Rossana Demarco Berois from Uruguay. You can see me in the picture picking “marcela”, a treasure for us, natural dyes lovers. There´s plenty of it in the Uruguayan fields. We pick it in Autumn, traditionally on Holy Friday, just before Easter.
I´m Karen! I am a fiber artist living on an island in coastal Alaska. I knit, spin wool, dye the wool I spin with natural dyes, and practice botanical printing on fabric and paper.
In some countries, it is called “Stinky Bob” of course because of its ugly odor. So, if you plant a ring of Herb Robert around your garden , it will keep away deer and rabbits, and will also act as an insecticide. Bees, however, like Herb Robert and will be attracted by it.
I am Nina and from a small city in Sichuan Province in southwest China. 7 years ago, I turned one of my small bedrooms into a mini studio for natural dyeing and crafting.
I am Andriyani, a housewife who is 55 years old and passionate about handmade crafts. I take a keen interest in various crafts such as patchwork, weaving, and sewing, along with gardening.
My name is Cathrine, I´m 48 years old and I live with my family in the countryside outside Bodø, a small town located at the end of a peninsula projecting into the Norwegian Sea, at the entrance to Salt Fjord.
My name is Roberto Magnani, I live in Italy in a small town near Rimini on the Adriatic coast. I am an artisan and a teacher of ecoprint and natural dyes.
Eco Prints, also known as botanical printing, is a modern and innovative technique that relies on ancient and traditional natural dyeing methods. This technique uses plants to create unique and striking prints on natural surfaces.
Bidens pilosa is primarily considered a weed, in many parts of the world it is also a source of food and medicine. The leaves have a resinous flavor, and are eaten raw, in stews, or dried for storage. It is especially important in eastern Africa, where it is known as michicha. In Vietnam, during the Vietnam War, soldiers] adopted the herb as a vegetable, which led to it being known as the “soldier vegetable”. It is susceptible to hand weeding if small enough, even then must be bagged, and thick mulches may prevent it from growing. In traditional Chinese medicine, this plant is considered a medicinal herb, called xian feng cao .In traditional Bafumbira medicine, this plant is applied on a fresh wound and is known as inyabalasanya. Extracts from Bidens pilosa are used in Southern Africa for malaria. Its many common English names include black-jack, beggarticks, hairy beggarticks, cobbler’s pegs, devil’s needles, hairy bidens, Spanish needle, farmers friend, Devils Pitchfork, hitch hikers and sticky beaks.
If you’re looking for a powerful symbol of hope, life, and faith, look no further than the tamarisk tree. This significant tree has a rich history and a deep spiritual meaning. The next time you see a tamarisk tree, take a moment to reflect on its significance. Let’s get to know its rich history. The tamarisk, also known as “the salt cedar”, is a small to medium-sized tree that can grow up to 30 feet tall. It’s an evergreen tree native to dry areas of southern Europe, northern Africa, and western Asia. Nowadays it has spread everywhere (North and South America, many places in Europe, even in colder areas where it remains a bush and also in Australia, where it is called athel pine. You can find it easily near river banks or sandy grounds. It can even grow in the banks of the Dead Sea, where nothing else can live. Something curious about tamarisks: the shade of the tamarisk is much cooler than that of other trees. In the evenings, as the temperature gets cooler, the salt crystals formed on the branches of the tamarisk tree absorb the moisture that is in the air forming little droplets of water on the branches; and then, when the sun rises and the heat begins to evaporate the water, the water droplets burst open creating a fine mist in the air. These droplets produce a natural form of air conditioning that cools anyone under the shade of the tamarisk. Its leaves contain a high level of tannin. They provide delicate lines in eco printings and the effect they give to compositions is very subtle and special. Benefits of the Tamarisk Tree The tamarisk tree has a long history of being used for medicinal purposes. In ancient times, the bark and leaves of the tamarisk were used to treat fever, wounds, and digestive problems. It is used to make a vegetable product called Manna (no connection to the miraculous food that kept Hebrews alive for 40 years when walking through the desert). Manna is created when the tamarisk is boiled, strained, and used as honey. It also provides windbreaks, soil stabilizers, and shade for livestock and people. Spiritual Symbolism in the Hebrew culture Symbol of Hope and life The evergreen nature of the tamarisk tree represents hope and life. The tamarisk tree also symbolizes new beginnings. If you’re going through a tough time, the tamarisk tree is a reminder that better days are ahead. Symbol of strength and resilience It can withstand heat, even devastating fires or long dry spells by sending roots deep down to find underground water. So Tamarisk trees can live for over hundreds of years in extremely poor conditions. The tamarisk tree, with its ability to thrive in harsh conditions, is a reminder that you can overcome any obstacle if you have faith and determination. A reminder of God’s fearfulness As we will see later, the tamarisk was a spiritual symbol of the covenant between Abraham and God. This story reminds us that no matter what happens in life, God will always keep His promises. Symbol of eternal life Since the tamarisk is an evergreen tree, some see that it symbolizes eternal life Sacred tree Today, the tamarisk tree is still considered to be a sacred tree by many people. Let’s get to know this interesting tradition Abraham planted a tamarisk tree in Beersheba, and there he called on the name of the Lord, the Eternal God.” (Genesis 21:33) According to the Bible, Abraham and Abimelech, a Philistine ruler, made an oath and sealed an agreement of peace and mutual tolerance. After this oath, Abraham planted a tamarisk, as a visible sign of God’s fulfillment of both of these blessings upon the descendants of Israel and all the people of the earth. Now, let’s look at some of the reasons why the tamarisk tree was spiritually significant for Abraham. First, as we already mentioned, tamarisk trees are often referred to as “salt cedars” because they are a type of evergreen that produces a salt-like substance on its slender branches. Salt has always been considered a blessing in the Bible. Secondly, the tamarisk tree also produces a honey-like substance that is sweet to the taste. The Tamarisk must have been seen by Abraham as the “Tree of Life”…as it was evergreen and able to survive extreme difficulties over the years. Last, but not least, tamarisks take a long time to grow and Abraham knew this, so when planting it he was leaving his blessing for future generations. Therefore, Abraham was not only commemorating a present peace agreement, but he was looking forward to the future blessings upon himself and his future descendants. So, after all these revelations about the meaning of this unique tree…..I wonder….. What am I planting today that will benefit future generations? Isn’t this a question that we, enthusiastic printers, should make ourselves?
Sumac (or sumach) is a variety of flowering shrub that belongs to a family of plants known as Anacardiaceae (closely related to cashews and mangoes, did you know?) Sumac thrives in subtropical and temperate climates and grows all over the world, including various parts of the Mediterranean, Asia, and Africa There are more than 200 different species of sumac, all of which belong to the genus Rhus. From the point of view of botanical printing, it’s a very interesting and “generous” plant. It contains tannins and also color. Sometimes, it can also act as a discharge leaf, especially when natural dyes are involved. Therefore, using the proper mordants we can obtain quite a variety of different effects with the same leaf. The prints are always crisp, precise and clear. Staghorn Sumac (Rhus Thypina) Staghorn sumac is known in some parts of the world as “velvet tree” or “vinegar tree.” Velvet refers to the velvety texture of the fuzz on the outer branches , and vinegar because in some areas a vinegar is produced from this variety of sumac. In Haleb, Syria, a milk drink is made from the seeds of the sumac. Most probably this is the most common sumac variety used for ecoprint in Europe and North America. Tiger sumac Also the kind “Tiger sumac”, which is just a compact form of the staghorn sumac, is very popular among ecoprinters, as it is easily found in gardens. Like almost all kinds of sumac, the leaves turn red in the Autumn and add an amazing touch of color to any landscape. Monika Lorenz – Tiger sumac on Viscose dyed with Indigo “Poison sumac” – Toxicodendron vernix Sometimes also called thunderwood, it is a type of woody shrub that belongs to the same family of plants as poison ivy. Although it shares the same name as sumac spice, the two belong to different plant genera and share very few similarities. Unlike sumac spice, poison sumac is not edible and can actually be extremely dangerous to health. The plant contains a compound called urushiol, which can irritate the skin and mucous membranes, causing a poison sumac rash. When the leaves are burned, the compound can even enter the lungs, causing pain and difficulty breathing, which can even be fatal. Rhus coriaria or Syrian sumac This is the variety I find here in Israel and usually print in my studio. People cultivate this variety for culinary use and herbal medicine. This kind of sumac, used for cooking, is characterized by the large, dense clusters of bright red, pea-sized fruit it produces. This explains the origin of the name : “Summaq” means “red” in Arabic. People can steep the fresh fruits to make tea, but more often they dry and powder them for use as an herbal supplement or culinary seasoning. This same variety of sumac has also been used for medical treatment for centuries. The herb contains tannins, polyphenols, flavonoids, organic acids, and essential oils. Various scientific studies demonstrated that Sumac had a protective effect against liver damage and leukopenia, along with its antiviral, antimicrobial, anti-inflammatory, and antioxidant properties. Recently, several scientific studies suggest that Sumac extract could be useful in the treatment of COVID-19. But it has even more benefits: its astringent quality, due to the tannins it contains, makes it useful to fight diarrhea, hemorrhoids, excess urination, and bleeding. Due to this mentioned high level of tannins, in ancient Greek and Roman times, sumac was used to dye wool and tan leather.
Eco printing is a sustainable alternative to traditional textile production methods, which often rely on advanced technology and toxic substances that can harm the environment, human and animal health.
Eco printing on fabrics is an innovative and sustainable method of creating beautiful and unique designs using natural materials. This technique is an extension of traditional natural dyeing methods for textiles that have been practiced for centuries
Eco print, also known as botanical printing, is a natural and sustainable method of creating unique designs on
Eco-printing is a unique and modern technique that combines the ancient art of natural dyeing with the latest sustainable practices. The process of Eco-printing, also
Nerium oleander, most commonly known as oleander or nerium, is a shrub or small tree cultivated worldwide in temperate and subtropical areas as an ornamental and landscaping plant. Its beautiful flowers can be white, pink or red.
Ricinus communis or castor oil plant, is a species of perennial plant widespread throughout tropical regions (and widely grown elsewhere as an ornamental plant).
Most of the items you need to get ready to start Eco printing are most likely already in your home. To me, the magic of Eco Printing (also called Botanical Printing ) lies in its simplicity, availability, and accessibility.
It is commonly known as “Chaste Tree” , “Monk´s pepper” or “Cloister Pepper” because one of its properties is to reduce sexual desire and so it was used as a food spice in medieval monasteries to reduce the monks´ libido.